Here are the nominees (courtesy of Kalahari.net):
The Children’s Book
This vivid, rich and moving saga is played out against the great, rippling tides of the day, taking us from the Kent marshes to Paris and Munich and the trenches of the Somme. Born at the end of the Victorian era, growing up in the golden summers of Edwardian times, a whole generation grew up unaware of the darkness ahead.
A young English biographer is working on a book about the late writer, John Coetzee. He plans to focus on the years from 1972-1977 when Coetzee, in his thirties, is sharing a run-down cottage in the suburbs of Cape Town with his widowed father. This, the biographer senses, is the period when he was 'finding his feet as a writer'. Never having met Coetzee, he embarks on a series of interviews with people who were important to him - a married woman with whom he had an affair, his favourite cousin Margot, a Brazilian dancer whose daughter had English lessons with him, former friends and colleagues. From their testimony emerges a portrait of the young Coetzee as an awkward, bookish individual with little talent for opening himself to others. Within the family he is regarded as an outsider, someone who tried to flee the tribe and has now returned, chastened. His insistence on doing manual work, his long hair and beard, rumours that he writes poetry evoke nothing but suspicion in the South Africa of the time. Sometimes heartbreaking, often very funny, Summertime shows us a great writer as he limbers up for his task. It completes the majestic trilogy of fictionalised memoir begun with Boyhood and Youth .
The Quickening Maze
Based on real events in Epping Forest on the edge of London around 1840, The Quickening Maze centres on the first incarceration of the great nature poet John Clare. After years struggling with alcohol, critical neglect and depression, Clare finds himself in High Beach Private Asylum - an institution run on reformist principles which would later become known as occupational therapy. At the same time another poet, the young Alfred Tennyson, moves nearby and becomes entangled in the life and catastrophic schemes of the asylum's owner, the peculiar, charismatic Dr Matthew Allen. For John Clare, a man who had grown up steeped in the freedoms and exhilarations of nature, who thought 'the edge of the world was a day's walk away', a locked door is a kind of death. This intensely lyrical novel describes his vertiginous fall, through hallucinatory episodes of insanity and dissolving identity, towards his final madness. Historically accurate, but brilliantly imagined, the closed world of High Beach and its various inmates - the doctor, his lonely daughter in love with Tennyson, the brutish staff and John Clare himself - are brought vividly to life. Outside the walls is Nature, and Clare's paradise: the birds and animals, the gypsies living in the forest; his dream of home, of redemption, of escape. Rapturous yet precise, exquisitely written, rich in character and detail, this is a remarkable and deeply affecting book: a visionary novel which contains a world.
How To Paint A Dead Man
Italy in the early 1960s: a dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career - a small group of bottles. In Cumbria 30 years later, a landscape artist - and admirer of the Italian recluse - finds himself trapped in the extreme terrain that has made him famous. And in present-day London, his daughter, an art curator struggling with the sudden loss of her twin brother while trying to curate an exhibition about the lives of the twentieth-century European masters, is drawn into a world of darkness and sexual abandon. Covering half a century, this is a luminous and searching novel, and Hall's most accomplished work to date.
It's Jake's birthday. He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life - his childhood, his marriage, his work, his passions. Now he is in his early sixties, and he isn't quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer's. As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean? As Jake, assisted by 'poor Eleanor', a childhood friend with whom for some unfathomable reason he seems to be sleeping, fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he'll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all?
In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political power
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.
Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
The Glass Room
The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room. High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes as the storm clouds of WW2 gather, and eventually the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, and as it passes from hand to hand, from Czech to Russian, both the best and the worst of the history of Eastern Europe becomes somehow embodied and perhaps emboldened within the beautiful and austere surfaces and planes so carefully designed, until events come full-circle.
Not Untrue and Not Unkind
In Dublin, a newspaper editor called Cartwright is found dead. One of his colleagues, Owen Simmons, discovers a dossier on Cartwright's desk. And in the dossier Owen finds a photograph, which brings him back to a dusty road in Africa and to the woman he once loved. Not Untrue and Not Unkind is Owen's story - a gripping story of friendship, rivalry and betrayal amongst a group of journalists and photographers covering Africa's wars. It is an astonishingly powerful and accomplished debut that immediately establishes Ed O'Loughlin as a mature master of the novel form.
Me Cheeta: the Autobiography
The incredible, and moving true story of Cheeta the Chimp, star of countless Hollywood blockbusters, told in his own words The greatest Hollywood Tarzan, Johnny Weissmuller, died in 1984. His coffin was lowered into the ground to the recorded sounds of his famous jungle call. Maureen O'Sullivan, his Jane, died in 1998. Weissmuller's son, who first played Boy in the 1939 film Tarzan finds a Mate, has gone too. But Cheeta the Chimp, who starred with them all, is alive and well, retired in Palm Springs. At the incredible age of seventy-five, he is by far the oldest living chimpanzee ever recorded.
Hauntingly beautiful and heartbreaking, Colm Toibin's sixth novel, Brooklyn, is set in Brooklyn and Ireland in the early 1950s, when one young woman crosses the ocean to make a new life for herself.
Eilis Lacey has come of age in small-town Ireland in the years following World War Two. Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn to sponsor Eilis in America -- to live and work in a Brooklyn neighborhood just like Ireland -- she decides she must go, leaving her fragile mother and her charismatic sister behind.
Love and Summer
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